If you are unsure about how to achieve this, please consult your Windows system manual. You must have Administrator privileges to install and play Bully Scholarship Edition. Game performance will improve with more powerful hardware configurations. Keyboard and Mouse OR Xbox 360 Controller Nvidia GeForce 6800, or 7300 series graphics card or betterĪll Graphics Cards must have DirectX 9.0c Shader 3.0 supported Thank you for purchasing Bully Scholarship Edition.ģGHz Intel Pentium 4 or AMD Athlon Processor equivalent We want to hear what you think about this article.That V1.200 patch was released in late 2008 and has been active on Steam for many years.Ĭheck the ReadMe file in the installation directory. By that measure, Bully is a success, regardless of whether people are still watching it in 10 or 20 years. Even if the MPAA's shortsightedness diminishes the film's potential impact, it's obvious from the passion of the organizers that Hirsch gives voice to at the end of the documentary that this movement larger than just a movie, and that any impact it has is a good one. While the latter may have more to do with whether it endures as a film, its lasting legacy is its role in the former. What Bully does is offer viewers the potential to connect a growing network of like-minded people who refuse to stand for bullying anymore, and does so with elegant storytelling. The microphone Hirsch has on Alex picks up his uneven, anxious breathing, a surer sign of his discomfort than anything he could say.Īt one point in the film, Kelby admits that despite her efforts to stay strong, and to be a lonely voice for changing attitudes at her school and in her small town, that maybe it's too much for one person to take on. One of the film's most subtly affecting moments finds him waiting at a school bus stop while trying to socialize with a couple of kids who are already beginning to pick on him. He convinces himself that these are just his friends roughhousing with him so that he won't have to admit the abuse to his parents. The emotional center of the film is perhaps Alex, a 12-year-old Iowa boy constantly picked on for looking different. And there are two sets of parents whose children committed suicide to end the bullying. There's Ja'Meya, a 14-year-old Mississippi girl who felt so powerless to deal with her tormenters that she brandished her mother's gun at them just to make it stop. This includes Kelby, a 16-year-old Oklahoman who became a pariah to both her classmates and her teachers when she came out as a lesbian. Hirsch, despite his personal connection to the material as a victim of bullying himself, smartly keeps himself out of the film and instead concentrates on the stories of the kids, showing the diversity of causes and reactions to bullying that are out there. As such, it's hardly controversial, either apart from a contingent of kids-will-be-kids voices who are perhaps in denial about problems as serious the film portrays, it would be hard to find anyone to advocate for the pro-bully side of the aisle. It goes back as long as people have had the capacity for cruelty towards those who are weaker or different. So what of Bully's long-term potential? What the film has going for it is that despite being tied directly to action-it's as much a springboard for a massive social media and national activism campaign as it is a singular documentary-there are deeply felt, deeply moving, entirely relatable stories on display here. are far less likely to be talked about as often ten years from now than their less activist co-nominees like Restrepo, Man on Wire, or Jesus Camp. I'd argue that the films like The Cove, Gasland, and Food, Inc. Just looking back over Oscar nominated documentaries over the past few years reveals a number of works that burned brightly but briefly. Yet it seems to have quickly slipped out of the conversation in ways that his earlier films have not, demonstrating that even if a documentary is high-profile and highly controversial, advocacy can seriously limit the length of its reach. Given the primacy of the national debate over health care during the past few years, this film would seem an obvious reference and rallying point for supporters of a single-payer system. Consider, on the other hand, the film of Moore's that is arguably the most specifically designed to initiate change: Sicko.
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